SEARCH RESULTS FOR: Dexy’s Midnight Runners
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(Vocal/instrumental group, 1978–86) The brainchild of Kevin Rowland, Dexy’s bagged a UK No. 1 with the punky, singalong soul of ‘Geno’ (1980). The manifesto album Searching For The Young Soul Rebels (1980) backed it up. After internal disruptions, a Celtic element was added, and the stomping anthem ‘Come On Eileen’ from the 1982 album Too-Rye-Ay became ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocal/instrumental group, 1930–35) This group, created by the Berea, Kentucky, entrepreneur John Lair in 1930 for the WLS National Barn Dance, genially exploited popular perceptions of mountain folk through music and costume, and was an ancestor of shows like The Beverly Hillbillies and Hee Haw. The group lasted only five years, but its members ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocal/instrumental group, 1971–2002, 2009) Fronted by the striking, bald, six and a half footer Peter Garrett, this 1960s-influenced, politically committed Australian band still have plenty to say. They played hundreds of gigs before making their US and UK album debut with 10,9,8,7,6,5,4,3,2,1 in 1983. It was ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocals, 1934–84) With his powerful high vocal range, Jackie Wilson was among the earliest singers to make the transition from R&B to soul. His first single, 1957’s ‘Reet Petite’, was the start of a winning partnership with its writer, young Berry Gordy (although Wilson never recorded for Gordy’s Motown label). ‘Reet Petite’ was actually more successful in ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

David Bowie has inspired more musicians than most recording artists, but he naturally also had his own formative influences. Who Does He Love ? It almost goes without saying that Elvis Presley was important to him: few of the musicians who became teenagers in the Sixties weren’t overwhelmed by The King’s stunning larynx and greaseball beauty. Perhaps revealingly, Bowie ...

Source: David Bowie: Ever Changing Hero, by Sean Egan

‘The Free-shooter’ The Faustian theme, with its connotations of the black arts, was not new to opera when Weber wrote Der Freischütz. Since 1796 there had already been eight operas based on the sixteenth-century legend as composers responded to one of the most seductive themes of the early Romantic era: a pact with the devil for personal gain or ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

Verdi’s last opera, Falstaff was the third taken from William Shakespeare, this time from his Merry Wives of Windsor and Henry IV, Parts 1 and 2. Verdi wrote the opera when he was 79, but it was not his only comic opera, as is often supposed. There was another, Un giorno di Regno, which ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

Composed: 1972–76 Premiered: 1978, Stockholm Libretto by the composer and Michael Meschke after Michel de Ghelderode’s play La ballade du Grand Macabre Act I Piet the Pot, drunk as ever, watches Amando and Amanda making love. Nekrotzar, the Grand Macabre, rises from his tomb and prophesies doom for Breughelland at midnight. He rides off on Piet ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

‘Clowns’ Composed: 1892 Premiered: 1892, Milan Libretto by the composer, based on a newspaper crime report Prologue Tonio addresses the audience. The author has sent him to explain that they are to see real people and real passions. Act I A troupe of four travelling players arrives in a Calabrian village. They are led by Canio, with his ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

The Queen of Spades, based on another story by Pushkin, was Tchaikovsky’s penultimate opera and one in which western influences were particularly evident. It was first produced at the Maryinsky Theatre in St Petersburg on 19 December 1890. However, 20 years passed before it was staged at the Metropolitan Opera, New York on 5 March 1910 and ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

Based on a series of eight Hogarth paintings, this opera was first performed on 11 September 1951 at Il Teatro La Fenice in Venice. In The Rake’s Progress, Stravinsky’s neo-classical style maintains a clear delineation of musical numbers separated by recitatives (accompanied by harpsichord), and as such it has often been considered a stylistic companion to the works of ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

‘A Masked Ball’ In 1857, Verdi was virtually asking for censorship trouble when he chose Gustavuse III, ou Le bal masqué (‘Gustavus III, or The Masked Ball’) for his next work. In 1792 King Gustavusus III of Sweden had been shot dead at a masked ball in Stockholm. Regicide was a taboo subject and the Neapolitan censors immediately ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

The most commercially successful pop band of the 1970s, ABBA rose again in the 1990s when ABBA Gold (1992) revived their peerless singles’ legacy, which has carried on ever since. ABBA were formed in 1973 in Stockholm, Sweden, by Benny Andersson (born Goran Bror Benny Andersson, 16 December 1946), Bjorn Ulvaeus (born 25 April 1945) and ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

With the exception of Judas Priest, no metal band has been more influential than Iron Maiden. And it is no coincidence that Maiden first took flight when guitarist Adrian Smith joined the band one month into recording their second album, Killers, in 1981. Adrian Frederik ‘H’ Smith was born in Hackney, East London, in February 1957. ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Al Di Meola (b. 1954) rose to the top tier of contemporary jazz guitarists through his work with Chick Corea’s Return To Forever in the Seventies. In addition to a prolific solo career, he has collaborated on projects with bassist Stanley Clarke, keyboardist Jan Hammer, violinist Jean-Luc Ponty and guitarists John McLaughlin and Paco de Lucía. Al Laurence ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin
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An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...

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Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.

Rock, A Life Story

Rock, A Life Story

The ultimate story of a life of rock music, from the 1950s to the present day.

David Bowie

David Bowie

Fantastic new, unofficial biography covers his life, music, art and movies, with a sweep of incredible photographs.